Habermas on Cassirer in the 1920s

I want to underline three particular aspects of Ernst Cassirer’s intellectual life in the 1920s which Habermas draws attention to in the opening lecture in his The Liberating Power of Symbols, in order to reiterate Habermas’ emphasis on the importance of Cassirer’s work of the 1920s – an emphasis which, I feel, remains somewhat understated in the lecture ‘The Liberating Power of Symbols’ itself. These three aspects are: (i) his involvement with the Warburg Library circle, (ii) his novel reception of Wilhelm von Humboldt’s philosophy of language and, (iii) Cassirer’s relation to Heidegger alongside his concern with a humanist, Kantian constitutionalism.

Whilst stressing the independence of Cassirer’s philosophical development, Habermas nonetheless observes how ‘the interest which [Aby] Warburg and Cassirer shared in the symbolic medium of the human mind’s forms of expression was the basis of their intellectual affinity’. Habermas notes that, in 1921, Cassirer was ‘one of the first’ to give a lecture at the Warburg Library based at the University of Hamburg. Habermas then adds that the following description (by T. von Stockhausen) of the present layout of the Warburg Library, ‘which, since 1958, has been housed in Woburn Square in London in an arrangement modelled on the Hamburg original, reads as though inspired by Cassirer’s philosophy of the development of symbolic forms’:

‘The library was to lead from the visual image, as the first stage in man’s awareness, to language and hence to religion, science and philosophy, all of them products of man’s search for orientation, which influence his patterns of behaviour and his actions, the subject matter of history.’ 

As Habermas writes, the library’s very design thus reflects the way in which, for Cassirer, ‘The world of symbolic forms extends from pictorial representation, via verbal expression, to forms of orienting knowledge, which in turn pave the way for practice’. We can see that a progress through the Warburg Library, Image-Word-Orientation-Action, also follows (broadly) the subtitles of the three successive volumes of Cassirer’s The Philosophy of Symbolic Forms – Language, then Mythical Thought, then The Phenomenology of Knowledge. A representative report on the recent threat to the Warburg Library emanating from the new management culture of the University of London can be read here. 

Yet Warburg’s thinking influenced Cassirer’s theory of the process of symbolization in the first place, as Habermas shows when he points to Warburg’s concern with what Habermas calls the ‘force of artistic creation, purged of its demons’ – a concern described in E. H. Gombrich’s intellectual biography of Warburg: ‘More than ever therefore, the Renaissance appears in the Mnemosyne as a precious moment of precarious religious equilibrium in which the sources of heathen passions were tapped but still under control.’ Warburg’s atlas project, Habermas notes, was to be introduced with the following emphasis of Warburg's on the emergence of culture out of a work of distantiation: ‘The conscious creation of distance between oneself and the external world may be called the fundamental act of civilization. Where this gap conditions artistic creativity, this awareness of distance can achieve a lasting social function.’ As Habermas sees, Warburg’s insights are reflected in Cassirer’s ideas that (as Habermas puts it) ‘the fact that sensory contact with the world is reworked into something meaningful through the use of symbols is the defining feature of human existence’, and that ‘the objectifying force of symbolic mediation breaks the animal immediacy of a nature which impacts on the organism from within and without’. Habermas quotes this account of the process of symbolization in Cassirer’s Geist und Leben :

‘Language and art, myth and theoretical knowledge all contribute to […] this process of mental distanciation: they are the major stages on the path which leads from the space of what can be grasped and effected, in which the animal lives and within which it remains confined, to the space of sensory experience and thought, to the horizon of mind.’  

Of course Cassirer’s philosophy of symbolic forms also emerged out of what Habermas calls his ‘innovative reception of Humboldt’s philosophy of language’ – a reception recorded in the 1920s in Cassirer’s 1923 essay ‘The Kantian Element in Wilhelm von Humboldt’s Philosophy of Language’. Before considering Humboldt’s rôle in Cassirer’s thought, however, it is helpful to understand how his contact with the Warburg Library circle influenced his theorization of the symbolic function of expression. As Habermas notes, the most obvious result of the stimulus which Cassirer received in the 1920s, ‘if not from Warburg himself, then from the scholarly discussions of religion in the circle gathered around him in his library’, can be found in Cassirer’s ‘important reflections on mythical images and linguistic symbols’. Cassirer’s 1925 treatise on ‘Language and Myth’, which – as Habermas observes – appeared in the series of studies published by the Warburg Library, drew on Hermann Usener's classic (1896) work on the formation of religious concepts, Götternamen.

Bifurcation of the fetishizing gaze.
Ilse Bing. 'Self-Portrait in Mirrors'. 1931

Cassirer’s idea that, as Habermas writes, ‘Symbolic form is […] originally generated by a stylizing force, which condenses the dramatic impact of experiences’, made use of Usener’s theory of ‘momentary gods’ to (as Habermas puts it) ‘account for symbolic condensation as a response to the exciting ambivalence of meaning-laden experiences’. It is as if the symbolic transformation of sense experience into meaning is triggered by the very focussing intensity of the nature-traumatized human. ‘Such compressed, highly significant experiences, which are the focus of an isolating attention, can congeal into a mythical image, can be semanticized and thereby spellbound, given fixity by a divine name which makes it possible to recall and control them.’ Habermas quotes Cassirer: ‘only when this splitting off succeeds, when intuition is compressed into a single point and apparently reduced to it, does a mythical or linguistic structure result, only then can the word or the momentary god emerge’.   

Again, in Language and Myth, Cassirer maintains that language and myth are ‘two diverse shoots from the same parent stem, the same impulse of symbolic formulation’, in that language and myth apparently emerge simultaneously from ‘the same basic act of mental processing, of the concentration and intensification of simple sensory intuition’. In a way which perhaps is comparable with Gillian Rose’s underlining (in The Melancholy Science) of the importance for Adorno’s thinking of a Marxist-modernist aesthetic of brüchigkeit or brittleness, Habermas stresses Cassirer’s concomitant emphasis on ‘the broken character of our symbolic relation to the world, a relation which is mediated by words and tools’, and on ‘the indirectness of a self-relation which forces human beings to make a detour via symbolically generated objectifications in order to return to themselves’. For Cassirer, Habermas writes, acts of symbolization are distinguished by the fact that they ‘break open environments shaped by the peculiarities of a particular species’; they do this by ‘transforming fluctuating sense impressions into semantic meanings and fixing them in such a way that the human mind can reproduce the impressions in memory and preserve them’.

Rose cited Adorno’s ‘The Essay as Form’ on how the essay ‘thinks in breaks (in Brüchen) because reality is brittle (brüchig [split, class-divided, antagonistic]) and finds its unity through the breaks, not by smoothing them over’. It can be argued therefore, that in a sense for Adorno as for Cassirer, unified (symbolic, essayistic) expression is consequent upon experiential brokenness. Yet Cassirer’s basic notion of symbolization, as Habermas notes, also posits a symbolic function of conceptualization distinct from that of expression : this separate function of conceptualization too would have to be factored into any convincing comparison of Cassirer’s philosophy of symbolic forms with Adorno’s aesthetics of the riven essay form. Habermas outlines the distinction between expression and conceptualization so as to emphasize how Cassirer’s insights drawn from his involvement with the Warburg Library circle’s study of religion, in fact simply supplemented the thinking that he had launched in his earlier reception of Humboldt’s philosophy of language:

‘Expression transforms forceful sense impressions into meaningful elements, individual mythical images, which are able to stabilize affective responses; concepts articulate a view of the world as a whole. In his analysis of the expressive function, which is unmistakeably [sic] inspired by myth, Cassirer was stimulated by the discussions in Warburg’s circle. But, as regards the linguistic function of world-disclosure, Cassirer had already learned much from Humboldt prior to his arrival in Hamburg. The insights drawn from the study of religion helped to deepen a conception which ultimately derived from Cassirer’s genuine insights in the domain of the philosophy of language.’    

Habermas writes that Cassirer’s ‘original achievement’, his ‘semiotic transformation of Kantian transcendental philosophy’, rested on his being ‘the first to perceive the paradigmatic significance of Humboldt’s philosophy of language’. Cassirer ‘thus prepared the way for my generation, the post-war generation, to take up the “linguitic [sic] turn” in analytical philosophy and integrate it with the native tradition of hermeneutic philosophy’ (Habermas’ speech on Apel, reprinted later in The Liberating Power of Symbols, indeed lists Humboldt among the ‘marginal figures in the philosophy of language’ recovered within Apel’s early work). We can begin to understand the rôle played by Humboldt within Cassirer’s thinking of the symbolic function of conceptualization – his thinking of the way in which symbols, when acting as concepts rather than as mythical images, ‘articulate a view of the world as a whole’ – if we refer to Habermas’ account of Cassirer’s understanding of the symbolizing process as ‘an interplay of contrary tendencies’. ‘The world of symbolic meanings arises on the one hand from the production of a plenitude of meaningful images, and on the other from the logical disclosure of categorially articulated domains of experience.’ Cassirer, we can see from Habermas’ explanation, took from Humboldt’s thinking the principle of linguistic world-disclosure, against traditional nomination theory of language, but he continued to stress the Kantian aspect of this innovative principle of Humboldt’s:

‘He [Cassirer] retains an epistemological standpoint in the sense that he interprets linguistic world-disclosure on the model of the transcendental constitution of objects of possible experience. He assimilates Humboldt’s linguistic articulation of the world to Kant’s constitution of a domain of objects of possible experience. He reduces both to the common denominator of the categorial articulation of a symbolically generated world.’

Habermas stresses how, by relying on ‘the common denominator of the categorial articulation of a symbolically generated world’, Cassirer’s reception of Humboldt’s philosophy of language in fact ‘underestimated the scope of these innovations’, or the scope of Humboldt’s own semiotic transformation of Kantian transcendental philosophy. For Cassirer reduced Humboldt’s thought here to a Kantian theory of objectification, as he sustained his own cherished theory of linguistic conceptualization and then made symbols of his conceptual objects:

‘Relying on an analogy with categorial synthesis, which first endows the manifold of sense impressions with the unity of the objective experience of things, he also understands the function of linguistic form in terms of “objectification”. In so doing, he exploits the ambivalence of the expression “objectification”; for we also use this term to describe the process of externalization which characterizes the sensuous, symbolic embodiment of an intellectual content: “What Kant describes as the activity of judgement is only made possible in the concrete life of the mind by the mediating intervention of language, as Humboldt makes clear. Objectification in thought must pass via objectification in the sounds of language.” This interpretation is the direct descendant of the theory of concepts which Cassirer had already developed by 1910.’

Yet crucially, as Habermas also underlines, Cassirer did see that Humboldt’s use of Kant in fact in a way took him beyond Kantian epistemology. Humboldt, Habermas summarizes, ‘takes from Kant the notion of the transcendental production of a categorially structured world of objects of possible experience, in order to explain the meaning-conferring function of language’. In this way Humboldt ‘describes the productivity of language as a world-projecting spontaneity’. In Geist und Leben, Cassirer conveys this idea of what Habermas calls language’s ‘conceptual articulation of a world of possible states of affairs’: ‘Languages are […] not in fact means of representing a truth which is already known, but rather means of discovering what was previously unknown.’ Habermas underscores the revolutionary implications of Humboldt’s positing of language’s projective capacity and meaning-conferring function in this way:

‘The spontaneous process of world constitution is thus transferred from the transcendental subject to a natural language employed by empirical subjects; the constitution of a domain of objects is similarly transformed into the grammatical pre-structuring of a linguistically articulated world. […] Whatever the members of a linguistic community may encounter in the world is accessible only via the linguistic forms of a possible shared understanding concerning such experiences.’ 

For Cassirer, Habermas writes, this meant that ‘Symbolic form overcomes the opposition of subject and object’. For by ‘transforming the world-constituting activity of the knowing subject into the world-disclosing function of the trans-subjective form of language’, Humboldt’s use of Kant’s notion of the transcendental exploded ‘the architectonic of the philosophy of consciousness as a whole’. Habermas quotes from Geist und Leben: ‘Thus the basic opposition which dominates the entire systematics of Kant’s thought seems inadequate […] when it comes to defining the specificity of the domain of language as a product of the mind.’

To be continued.   

Behind the Mountains, part 2

Gass returns to the characteristically depersonalized and depersonalizing quality of Walser’s writing when he notes the ‘detached, desperate “inhumanity” of his work’. The narrator’s depersonalizing self-negation is foregrounded explicitly in ‘The Alphabet’: ‘I. I skip over, for this is I myself.’ Depersonalizing narratorial strategies are most evident in ‘Tobold (II)’ however, in numerous instances of self-negating narration such as this sentence:

‘Concerning a keg of the finest rye whiskey that, to the delight of the steward and that of a certain additional person – namely, to my very own, grinning, hand-rubbing delight – showed up only to be closely inspected and quite thoroughly investigated and examined by the two abovementioned important or insignificant personages, I shall take care not to waste another word.’

In ‘Tobold (II)’, the ‘certain additional person’ that is the modern self is brushed aside and reduced to the point where his very moods and their attendant whims are directed by an invisible heteronomy. The narrator’s investigation of his workplace is less a focussed product of individual agency, than a dissipated effect of being seduced by that which is more powerful: ‘The castle itself was an imposing edifice, and the many beautiful rooms and chambers I was permitted to glance into as the mood struck me naturally captured my attention and interest with their aristocratic appearance.’ Narration once more becomes a vehicle for expressing the narrator’s self-alienation and loss of personal agency, in the following presentation of vigilant attention directed by the formless authority which it tends:   

‘One of the choicest duties I had to perform was caring for the numerous lamps, an occupation that gave me great pleasure, for I developed quite a fondness for it. Each evening at nightfall I brought light, so to speak, into the dubious twilight that reigned on all sides, or if you prefer, into the darkness. As the count was a fancier of beautiful lamps and lampshades, these always had to be tended and treated with the greatest care. On beautiful evenings, as I crept about the rooms, all quiet as a mouse, a delicate mood in the air, the entire castle seemed bewitched. All the rooms were as if enchanted, the park an enchanted park, and with my soft, discreet, cautious lamplight, I seemed like Aladdin leaping one evening with his magic or miraculous lamp up the high, broad palace steps spread with splendid oriental rugs.’  

In this passage the radical modesty of the narrator – as he creeps about the rooms, ‘all quiet as a mouse’ – renders him indistinguishable from the narrated environment: the succeeding clause, ‘a delicate mood in the air’, could refer to him just as easily as to the castle. Then this submersion of the narrator’s identity within the described environment blends into a self-alienation in the form of a self-fictionalization: ‘I seemed like Aladdin’. The sense of narratorial self-alienation has already been generated by the recurrently self-qualifying, self-negating prose: ‘I brought light, so to speak, […] or if you prefer […]’. Here we are reminded of Walser’s foregrounding of the depersonalized quality of his writing in ‘The Green Spider’, where the narrator refers to ‘my mouth and its modest tool, my inherited language’, so divorcing a potential description enabled by such language from his human physicality ‘incapable of […] stammering it out’. By self-consciously stressing that this is writing removed from its writer, Walser emphasizes his own radical alienation from the reader. This is the effect of the final lines of ‘A Flaubert Prose Piece’ too, which once more draw attention to Walser’s writerly self-abnegation and the depersonalized quality of his prose. ‘Her report contained nothing that might have surprised him. They glided and passed among the people gliding and passing by, like a dream vision within the vision of a dream.’  

I want to draw out the radical implications of Walser’s articulation of modern self-abnegation; of the radical modesty of being, as Gass puts it, ‘Lightly attached to people, to the formalities of society, to any work which lies beneath another’s will like a leg beneath a log’. To take a first example, Walser’s position of self-abnegation enables his writing to develop a powerful critique of self-interest. In her translator’s ‘Preface’ to the collection, Susan Bernofsky quotes Elias Canetti on Walser, in the former’s The Human Province : ‘His deep and instinctive distaste for everything “lofty”, for everything that has rank and privilege, makes him an essential writer of our time, which is choking on power.’ Walser’s fascination with power struggles – his typical focus on human relations in terms of conflict or war – is communicated, for instance, in the following passage in ‘Tobold (II)’. Here the narrator discerns two distinct forms of human conflict, low battles concerning self-interest and ‘noble’ battles concerning natural morality:

‘Intrigues show up in castles, the same as in all other major establishments and institutions. Now the cook wanted to incite me against the steward, now the steward against the cook, but all this factional bickering and class conflict left me cold, for I had no interest in it. Anywhere a noble, splendid, sensible struggle can be found, I’ll be glad, perhaps, to take part in it – why not? – for instance in the struggle of the good versus the wicked, the benevolent versus the malevolent, the open and flexible versus the hardened and insensitive, the quick-witted versus the unenlightened, the diligent and industrious versus those who do nothing yet always stay on top, the struggle of the guileless versus the crafty and sly. This could be a battle I might like to lend a hand in, it can rain blows and punches for all I care, the more the merrier.’     

Walser’s critique of modern, institutional self-interest relates to the way in which his writing – as I want to suggest – projects a similar opposition of modern purposive rationality to natural human life, to that proposed within Georg Simmel’s contemporaneous The Philosophy of Money. (Simmel’s text was published in 1907, whilst Walser’s ‘Aschinger’ and ‘The Battle of Sempach’ – to which we will refer soon – date from 1907 and 1908 respectively). In his German Political Philosophy, Chris Thornhill outlines how Simmel’s political and sociological theory involved ‘the first major step on the path towards a reconstruction of vitalist philosophy, especially that of Nietzsche’.

‘Like Nietzsche, […] Simmel saw the capitalist economy as marking the final triumph of the human being as a formally purposive agent, and he also saw the purposive rationality of capitalism as weakening or neutralizing the relation between people and the purposes or objects of their possession, and even between people and their own actions. Under the generalized rationality of capitalism, therefore, the purposes of economically constructed persons assume a heteronomous primacy over human life itself.’

Indeed, as Thornhill summarizes, because the formal purposiveness of modern monetary subjects involves an alienation of those subjects from their own true purposes, it generates – Simmel maintained in The Philosophy of Money – an experience of depersonalization, such as we have seen reflected throughout Walser’s prose pieces:

‘As an agent seeking purposes, he [Simmel] argued, the modern subject alienates itself from the experiential sources of genuine subjectivity, and it constructs itself as a thinly neutralized set of contents and objectives. The monetary alienation of the human subject from its purposes and actions, then, also leads to a weakening or dissipation of the relation between people and other people, and ultimately, to a weakening or dissipation of the person itself – to a lack of “definite substance in the centre of the soul” or to a diffuse experience of depersonalization.’

We can find Walser detailedly projecting an opposition of formal purposiveness to natural human life within the following extraordinary description of war in ‘The Battle of Sempach’.

‘The rushing crowd, apparently full of passion, drew closer. And the knights stood their ground; suddenly they seemed fused together. Iron men held out their lances; you could have gone for a buggy ride across this bridge of lances, the knights were squeezed in so tightly, lance upon lance stuck out so mindlessly, firm and unyielding – just the thing, you might think, for such an impetuous, raging human breast to impale itself on. Here, an idiotic wall of spikes; there, people half-covered with shirts. Here, the art of war, the most prejudiced there is; there, people seized with helpless rage. Just to put an end to this loathsome horror, one man after the other recklessly charged into a lance tip, maddened, insane, flung by fury and rage. Flung to the ground, that is, without even having struck the helmeted, plumed iron scoundrel with his hand weapon, bleeding pitiably from his breast, tumbling head over heels, face down into the dusty excrement left behind by the noble steeds. This was the fate of all these almost naked men, while the lances, already red with blood, seemed to smile in scorn.’     

Walser’s tableau foregrounds two aspects of human experience. The ‘people half-covered with shirts’ represent passionate humanity. Their behaviour, their purposes, are self-directed: these are people simply ‘impetuous’ or ‘seized with helpless rage’, who are representatives of uncontrolled nature – ‘maddened, insane, flung by fury and rage’. On the other hand, there are the knights reified into their weapons: ‘an idiotic wall of spikes’, ‘the art of war, the most prejudiced there is’. On this side it is impossible to separate reified humans (‘Iron men’, ‘the helmeted, plumed iron scoundrel’), from humanized lances which ‘seemed to smile in scorn’. These knights emblematize an alienated condition of formal purposiveness. Their behaviour is rigidly purposeful, to the point where they are themselves indistinguishable – ‘squeezed in so tightly, lance upon lance stuck out so mindlessly, firm and unyielding’ – from the object-world of instrumentality and neutralization that they project. Walser obsessively delineates what he intuits to be the structuring conflict underlying modern life, and his forecast of the outcome is not utopian: as he writes in the preceding sentence, ‘Nature is always annihilated in a battle’. 

Thornhill shows how Simmel’s opposition of formal purposiveness to natural human life was grounded in Nietzsche’s thinking about law, reason and nature. Nietzsche, Thornhill summarizes, thought that fear of nature stimulates the legislation of ‘rational or moral purposes for humans to pursue, so that they are distracted from their naturalness’. Laws are formed in order to differentiate human life from ‘the cyclical temporal processes of mere nature or from the chaotic temporal events of historical contingency’. ‘Laws and values produced in this manner serve to humanize the world’, Thornhill notes; ‘they allow human beings to live, at least, in an illusion of human justification and moral purpose’. But they also reflect ‘a fearful will to obtain power, a power that can only be secured through the extirpation of whatever is residually natural – including the residues of nature in reason itself’:

‘Whilst possessing the obvious psychological utility that they protect people from knowledge of their own naturalness, however, Nietzsche argued that the laws created by reason form highly coercive and dominatory intellectual structures, which, in seeking to suppress fear, fixate human reason on the acquisition of power.’ 

For Nietzsche, as Thornhill writes, this is ‘invariably the will to power of weak people’; it is ‘power resentfully desired by those who cannot contentedly tolerate the naturalness and spontaneous futility of life’. Those who cannot accept contingency, and remain trapped in nihilistic horror vacui, ‘produce sense for their lives only through the pursuit of obligatory, yet ultimately illusory laws and purposes’.  

We can argue that Walser’s writing articulates the perspective of those whom competitive capitalist society labels ‘weak’ or ‘vulnerable’ – of the radically modest – in order to discern, with Nietzsche and Simmel, the true weakness of those who pursue ‘obligatory, yet ultimately illusory laws and purposes’. In Walser’s ‘Aschinger’, their rushed, non-accepting satisfaction of appetitive processes of mere nature is not enough for the competitive and power-seeking, who must then flee into ‘the commercial air’.

‘The dissatisfied quickly find satisfaction at the beer spring and the warm sausage tower, and the satiated dash out again into the commercial air, generally with a briefcase beneath their arm, a letter in their pocket, an assignment in their brain, firm plans in their skull, and in their open palm a watch that says the time has come.’   

Walser suggests that, slotted into their new, artificial time (of money, not of nature), the supposedly ‘firm’ purposes of economically constructed persons do not derive from their own natural brains – or from any ‘definite substance in the centre of the soul’ – but are instead plucked out, as if at random, from the empty, depersonalized skulls within which they float. A critique of the modern differentiation of ‘plans’ from naturalness or contingency may also be said to lie behind Walser’s ironization of the self-with-attainments in ‘Tobold (II)’: ‘Incidentally, it should also be mentioned that the secretary was an excellent pianist. Why shouldn’t we have a fondness for people who bring us pleasure with their skills, gifts, sciences, or knowledge?’ Walser proposes, in ‘Marie’, that the illusory plans and instrumentalized attainments which animate the capitalist city merely sustain a society in which both ‘work’ and ‘sophisticated pleasure’ are paratactically, and barbarically, inseparable from ‘privation’:

            ‘“Where are you going?” Frau Bandi asked.

            “I’m not quite sure yet. Well, to one of the centres of contemporary civilization, culture, work, privation, sophisticated pleasure, modern elegance and education, to one of the big, noisy cities where I’ll learn how to go about winning some respect and repute for myself among my fellow men.”’

Tbc.

Martian Time-Slip, part 2

In Martian Time-Slip Dick clearly upholds individual freedom, whether it be in terms of the schizophrenic ‘turn inward to meaning’ or Zitte’s bid for economic freedom. Yet the novel’s representation of mental illness also emphasizes the negative aspect of subjective inwardness. Dr Glaub draws attention to how ‘“in child autism, as with Manfred, there is no language at all, at least no spoken language. Possibly totally personal private thoughts…but no words.”’ Dick stresses how autistic noncommunication cages the subject within privatized existence – a sort of privatization which chills Jack Bohlen despite his experience of an empathy with the autistic boy, when he is ‘caught in a symbiosis with this unfortunate, mute creature who did nothing but rake over and inspect his own private world, again and again’. Earlier in the text, when he is exploring the ‘Public School’, Bohlen is troubled by the way in which autism ‘was in the last analysis an apathy toward public endeavour; it was a private existence carried on as if the individual person were the creator of all value, rather than merely the repository of inherited values’. Bohlen thinks that it is important that ‘The child learned that certain things in the culture around him were worth preserving at any cost’, and that ‘His values were fused with some objective human enterprise’. Dick bemoans the divorce of the radically noncommunicative from a communal objectivity, which he thinks of in terms of a taught tradition of values and culture. This divorce also represents the entrance to what Doreen Anderton, in conversation with Bohlen, calls ‘“the Tomb World”’.

‘Jack thought, And people talk about mental illness as an escape! He shuddered. It was no escape; it was a narrowing, a contracting of life into, at last, a mouldering, dank tomb, a place where nothing came or went; a place of total death.’

Dick thus associates psychotic noncommunication with a condition of total reification, or a freezing within an absence of experience; an absence of change. ‘It is the stopping of time. The end of experience, of anything new. Once the person becomes psychotic, nothing ever happens to him again.’ Yet despite lamenting the breakdown of the subject’s relation to objectivity in this way, Dick also offers a critique of objectivity in the form of the ‘composite psyche’ represented by the Public School. In this context he once more upholds the individual’s freedom, accusing an unfree society of imposing a diagnosis of mental illness on any child who displays signs of personal singularity:



Paul Klee. Early Sorrow. 1938

‘It was a battle, Jack realized, between the composite psyche of the school and the individual psyches of the children, and the former held all the key cards. A child who did not properly respond was assumed to be autistic – that is, oriented according to a subjective factor that took precedence over his sense of objective reality.’

Hence whilst Dick bemoans the alienation of the radically noncommunicative from intersubjective objectivity, or ‘the reality of interpersonal living, of life in a given culture with given values’, he critiques their educational institution – the Public School – which represents the ‘link’ to the ‘inherited culture’, and which is there ‘not to inform or educate, but to mold, and along severely limited lines’. ‘It bent its pupils to it [the culture]; perpetuation of the culture was the goal, and any special quirks in the children which might lead them in another direction had to be ironed out.’ Bohlen views ‘the fixed, rigid, compulsive-neurotic Public School’ as being, on one level, ‘an invention arising from necessity’ – insofar as its very neurosis offers the children a bulwark against their own psychosis, or ‘a reference point by which one could gratefully steer one’s course back to mankind and shared reality’. The reified, ‘compulsive-obsessive’ environment which the Public School represents – ‘a world in which nothing new came about, in which there were no surprises’ – at least enables ‘a deliberate stopping, a freezing somewhere along the path’ of psychosis. But Bohlen is also preoccupied by the way in which the Public School environment represents the conversion of ‘inherited culture’ into a form of reified intersubjectivity.

‘[…] Jack Bohlen, for the life of him, could not accept the Public School with its teaching machines as the sole arbiter of what was and what wasn’t of value. For the values of a society were in ceaseless flux, and the Public School was an attempt to stabilize those values, to jell them at a fixed point – to embalm them.’

It seems to be apparent, therefore, that what the novel’s treatment of the interface between mental illness and impaired communication is focussed on, above all else, is reification. Dick laments reified intersubjectivity just as he laments reified subjectivity. In Martian Time-Slip an important definition of psychosis returns to the vocabulary of jelling or coagulation, to describe the self reified beyond empathy and communication:

‘A coagulated self, fixed and immense, which effaces everything else and occupies the entire field. Then the most minute change is examined with the greatest attention. That is Manfred’s state now; has been, from the beginning. The ultimate stage of the schizophrenic process.’

It is as if the reified self expands until, become pure 'attention', it wipes itself out. Jameson’s ‘Philip K. Dick, in Memoriam’ concludes with a discussion of Dick’s prophetic treatment of the ‘end to individualism’ which increasingly characterizes society now. In response to the ‘death of the subject’, Jameson sees Dick’s writing as staging a ‘fitful and disturbing reappearance’ of ‘the collective’ – when the collective reappears precisely in the context of our reified intersubjectivity, or ‘the logic of stereotypes, reproductions and depersonalization in which the individual is held in our own time, “like a bird caught in cobwebs” (Ubik)’. Jameson reads Dick’s fiction as colliding a marginal collective made up of the vulnerable and the posthumous, with the radically alienating world of digitalized, virtualized intersubjectivity imposed on us by technology and mass media: within this scenario, Dick can attach some sort of redemptive value to the reification experienced by the autistic or ‘half-life’ community.

‘It is a literature in which the collective makes a fitful and disturbing reappearance, most often in a paralyzed community of the dead or the stricken, their brains wired together in a nightmarish attempt to find out why their familiar small-town worlds are lacking in depth or solidity, only to discover that they are “in reality” all immobilized together in some cryogenic half-life.’

As Jameson would go on to stress, in his ‘History and Salvation in Philip K. Dick’, in Martian Time-Slip Dick upholds the marginal, immobilized collective as the only social formation capable of future mobility. At the end of the novel, Dick presents Manfred Steiner as having been rescued, eventually, by Jack Bohlen’s attempt to communicate with him. In the novel’s climactic scene back-from-the-future Steiner may now be, as Jameson puts it, an ‘android-type prosthetic being’, but this is also Steiner’s (in Jameson’s phrase) ‘final apotheosis’, and a moment in which he can thank Bohlen for his humanity. ‘It lapsed into silence and then it resumed, more loudly, now. “You tried to communicate with me, many years ago. I appreciate that.”’ Though physically quite literally semi-reified, by now Steiner has found a way of releasing himself from the sort of contemporary reified intersubjectivity emblematized by the AM-WEB building, precisely – so Dick suggests – as a result of a developing capacity for communication and relationality. Bohlen asks Steiner, ‘“Did you escape AM-WEB?”’ ‘“Yesss,” it hissed, with a gleeful tremor. “I am with my friends.” It pointed to the Bleekmen who surrounded it.’ Relating to the Bleekmen, as Bohlen had surmised earlier, can enable Steiner to break through reification, by learning how to adjust – to change – precisely through learning how to be true to his own singularity:

‘Perhaps, for the first time in his life, the boy was in a situation to which he might make an adjustment; he might, with the wild Bleekmen, discern a style of living which was genuinely his and not a pallid, tormented reflection of the lives of those around him, beings who were innately different from him and whom he could never resemble, no matter how hard he tried.’  

Franziska Moebius. Kinder im Weg. Leipzig 2006.
transit trauma and arrested development

Martian Time-Slip

‘Helio, lowering his book, said, “This child has a speech impediment which I am overcoming.”’

Edward, Spitalfields 1989
by Marketa Luskacova

It is, surely, Dick’s unflinching presentation of the interface between mental illness and impaired communication in his 1964 novel Martian Time-Slip, which brought Patricia Warrick – as Umberto Rossi notes in The Twisted Worlds of Philip K. Dick – to comment on the ‘terrible sincerity’ of the text. For Fredric Jameson, in his ‘History and Salvation in Philip K. Dick’, the settlements on Mars in Martian Time-Slip represent ‘the most depressing of all his novelistic “realities”’ – though I would add that the settlements presented in A Maze of Death are none too cheering either. The sincerity which Dick achieves in Martian Time-Slip is particularly sobering, I would argue, because it posits the misery involved with mental illness to be an increasingly generalized condition within contemporary life. When Rossi writes that ‘the title of the 1963 novella “All We Marsmen” – that Dick expanded into the novel – might also suggest that it is a story about “All We Madmen (and Women)”’, I would go further and emphasize Dick’s intention in the novel to suggest that, increasingly, We Are All Madmen and Madwomen now. Martian Time-Slip has Jack Bohlen remark that schizophrenia poses ‘“one of the most pressing problems human civilization has ever faced”’; later the text describes schizophrenia as ‘the most pervasive, ominous psychic process known to man’.   

Mental illness is repeatedly presented by Dick in terms of a breakdown of communication and relationality. He has the psychiatrist, Dr Glaub, observe that ‘“In autism, especially, the faculty of interpersonal communication is drastically impaired.”’ As Rossi comments, in connection with the novel’s autistic protagonist Manfred Steiner and his disturbance in time-sense, ‘the time-slip that allows Manfred to see what will happen also prevents him from communicating with others in the present’. Dr Glaub describes ‘“disturbed persons”’ as ‘“encapsulated individuals cut off from ordinary means of communication”’. Bohlen articulates Dick’s understanding of such noncommunicative isolation:

‘Now I can see what psychosis is: the utter alienation of perception from the objects of the outside world, especially the objects which matter: the warmhearted people there. And what takes their place? A dreadful preoccupation with – the endless ebb and flow of one’s own self. The changes emanating from within which affect only the inside world. It is a splitting apart of the two worlds, inner and outer, so that neither registers on the other. Both still exist, but each goes its own way.’

Dick’s understanding of mental disturbance as a confinement within interiority, relates to his sense that contemporary mental illness derives from the influence of the exercise of modern rationality. Manfred Steiner’s father traces his son’s autistic alienation back to the influence of Manfred’s mother’s academic personality, with its detachment from lived sensuous experience, its coldness and lack of love. Her dominative, instrumental rationality has reified her. By contrast, Silvia Bohlen is ‘a genuine mother and woman, vital, physically attractive, alive’:

‘In his own mind, Steiner blamed it all on his wife; when Manfred was a baby, she had never talked to him or shown him any affection. Having been trained as a chemist, she had an intellectual, matter-of-fact attitude, inappropriate in a mother. She had bathed and fed the baby as if he were a laboratory animal like a white rat. She kept him clean and healthy but she had never sung to him, laughed with him, had not really used language to or with him. So naturally he had become autistic; what else could he do?’

Dick consolidates an imputed critique of today’s academic culture and academic reason, when he has Dr Glaub refer to disturbed ‘“minds so fatigued by the impossible task of communicating in a world where everything happens with such rapidity that -”’. Here it is difficult not to think of the purposelessly accelerated, bureaucratized conditions of contemporary academic production – or this society’s ‘publish-or-perish’ privileging of the quantity of academic research produced over its quality – and the damage that these conditions do to our mental health. Martian Time-Slip in fact offers a potent Weberian or Frankfurt School-like prophecy of our existing culture of enforced higher education, intensified social differentiation and career specialization:

‘The ad listed all the skills in demand on Mars, and it was a long list, excluding only canary raiser and proctologist, if that. It pointed out how hard it was now for a person with only a master’s degree to get a job on Earth, and how on Mars there were good-paying jobs for people with only B.A.’s [sic].’

Jack Bohlen further illuminates this vision of a fast-paced, specialized polis, the complexity of which entails an ultimately changeless, reified and reifying, density of experience which threatens our sense of the freedom of the self.

‘“Frankly, Kindly Dad, I emigrated to Mars because of my schizophrenic episode when I was twenty-two and worked for Corona Corporation. I was cracking up. I had to move out of a complex urban environment and into a simpler one, a primitive frontier environment with more freedom. The pressure was too great for me; it was emigrate or go mad. […] I went mad standing in line at the bookstore. Everybody else, Kindly Dad, every single person in that bookstore and in that supermarket – all of them lived in the same building I did. It was a society, Kindly Dad, that one building.”’

The novel develops its critique of the modern use of instrumental reason in the course of a conversation in which Heliogabalus describes schizophrenia as ‘“the savage within the man”’, and Arnie Kott responds by calling it a ‘“reversion to primitive ways of thought”’. Helio identifies psychoanalysis, taken as an instance of the sort of modern instrumental reason which would reshape suffering selves, to be a ‘“vainglorious foolishness”’ which is mistaken in its therapeutic mission of restoring the subject to optimum functionality and sense of purpose.

‘“Question they never deal with is, what to remold sick person like. There is no what, Mister.”

“I don’t get you, Helio.”

“Purpose of life is unknown, and hence way to be is hidden from the eyes of living critters. Who can say if perhaps the schizophrenics are not correct? Mister, they take a brave journey. They turn away from mere things, which one may handle and turn to practical use; they turn inward to meaning . There, the black-night-without-bottom lies, the pit. Who can say if they will return? And if so, what will they be like, having glimpsed meaning? I admire them.”’ 

Dick here suggests that in a real sense mental illness is itself a valid response to the perennial philosophical question of human purpose. Modern instrumental rationality involves an objectivizing use of reason, which latches on to objects to ‘turn to practical use’; in contrast, (rational) irrationality can refuse objectivity and seek not practical purpose, but the impractical purpose of uncovering the absolute grounding humanity. It is in this context of the ‘turn inward to meaning’ that Dick’s conception of irrationality, converges with the conception of existential reason developed in Jaspers’ thinking: as Chris Thornhill notes in his Karl Jaspers, 'transcendence' is for Jaspers 'an inner attribute of truthfully self-interpreting humanity'. Dick’s defence of the schizophrenic turn inward to meaning is also supported by the novel’s depiction of the Martian environment; Mars is presented as ideal territory for asocial interior voyagers towards the sources of human value, in a way that recalls a phrase from Iain Sinclair’s Lud Heat : the ‘private moon voyage’. Early in the novel, Bohlen judges that his father will adjust to Mars precisely because he is ‘in touch with some level of knowledge which told him how to behave, not in the social sense, but in a deeper, more permanent way’. Then the ‘lonely’ children of Mars appear; frantic yet diffident, Kafka-solitary pursuers of the transcendental beneath the surface. Young hermeneuticians, slightly dazed by the austere immensity of their ‘black-night-without-bottom’, the landscape of their quest.

‘The children had a large-eyed, haunted look, as if they were starved for something as yet invisible. They tended to become reclusive, if given half a chance, wandering off to poke about in the wastelands. […] When he flew by ‘copter, Arnie always spotted some isolated children, one here and another there, toiling away out in the desert, scratching at the rock and sand as if trying vaguely to pry up the surface of Mars and get underneath…’

 

The novel’s foregrounding of the schizophrenic turn inward to meaning has a sociopolitical correlate in Dick’s characteristic vaunting of repairman Otto Zitte’s doomed bid for personal economic freedom.

‘He hated the big racketeers, too, same as he hated the big unions. He hated bigness per se; bigness had destroyed the American system of free enterprise, the small businessman had been ruined – in fact, he himself had been perhaps the last authentic small businessman in the solar system. That was his real crime; he had tried to live the American way of life, instead of just talking about it.’

Of course these statements are representative of Dick’s typical populist celebration of, in Jameson’s words (in his ‘Philip K. Dick, In Memoriam’), ‘small employees such as record salesmen, self-employed mechanics and petty bureaucrats […] caught in the convulsive struggles of monopoly corporations and now galactic and intergalactic multinationals’. Darko Suvin, Rossi records, has interpreted the AM-WEB building in Martian Time-Slip as a reference to the ‘American Web of big business, corrupt labour aristocracy and big state’. The novel’s defence of an individual’s freedom, in the face of both the right-wing and left-wing varieties of reified intersubjectivity which manifest in our contemporary convergence of monopoly capitalism and bureaucratic statism, is clear.     

To be continued.

Existential Communication

Here I want to lay out some noteworthy features of Jaspers’ theory of existential communication, as outlined by Thornhill in his writings on Jaspers. An obvious virtue of Thornhill’s comparative, synoptic method of intellectual history is that it enables us to begin to situate Jaspers’ work on existential communication in relation to the communication theories of a range of philosophers.

Communication as passion and transformation:
 P K Dick, Martian Time-Slip, Hebrew edn

Jaspers’ theory of existential communication is perhaps best summarized by Thornhill when, in Karl Jaspers, he describes Jaspers’ ‘philosophy of communication’ as ‘a doctrine of committed existential relativity, which charges all absolutizing or totalizing world-views with a primary falsehood, and which attempts to give an account of human freedom which resists both formal-idealist and objectivist preconditions’. In his SEP entry on Jaspers [here], Thornhill notes that the concept of existential communication was introduced in inchoate form by Jaspers in his early psychological work of 1919, Psychology of World Views. Jaspers argues that, in Thornhill’s words, ‘the freedom of consciousness to overcome its limits and antinomies can only be elaborated through speech’. Speech is posited as ‘a process in which consciousness is elevated beyond its limits through intensely engaged communication with other persons, and in which committed communication helps to suspend the prejudices and fixed attitudes of consciousness’. Thornhill sees that this means that, importantly, ‘Existentially open consciousness is therefore always communicative, and it is only where it abandons its monological structure that consciousness can fully elaborate its existential possibilities.’ With this ‘early doctrine of communication’, Thornhill observes, Jaspers ‘helped to shape a wider communicative and intersubjective shift in German philosophy’, and in this way ‘the resonances of his existential hermeneutics remained palpable in the much later works of Hans-Georg Gadamer and Paul Ricoeur’.

Thornhill underscores the innovatory character of Jaspers’ dialogical model of communication, citing Arendt’s remark that Jaspers is the ‘first and only philosopher who ever protested against solitude’. For Jaspers, Thornhill writes, ‘The attempt to think existence without relation to other existence merely limits existence to a sub-category of objectifying cognitive systems.’ He goes on, in Karl Jaspers, to quote from the second volume of Jaspers’ Philosophy. ‘The “being of existence is not an objective category”, Jaspers explains’:

‘I can speak out of possible existence, as far as another person hears me – then the existence of both is for each other, but this being-for-each-other is not given for their knowledge. Existence as conviction, belief, absolute consciousness cannot be known.’

Jaspers’ emphasis on dialogue, which derived from his early psychological theorizing and psychiatric work, meant that though it was – as Thornhill puts it in SEP – ‘assimilating Kierkegaardian elements of decisiveness and impassioned commitment’, Jaspers’ version of early existential thinking took Kierkegaard’s ‘cult of interiority, centred in the speechlessness of inner life’, to represent ‘a miscarried attempt to envision the conditions of human authenticity’. ‘The decision for authentic self-overcoming and cognitive unity can only occur, he argued, through shared participation in dialogue.’ Jaspers, like Adorno and Michael Theunissen after him, Thornhill notes, maintained that ‘the closed inwardness of the despairing Kierkegaardian subject remains ensnared in the formal problems of Kantian idealism’. Kierkegaard’s existentialism, for Jaspers, hence ‘fails in its intention to connect reflexivity to experience’, and ‘to provide an account of thinking existence (or existential reason) which is decisively different from formal reason’. For Jaspers, Thornhill writes, it is ‘only in speech which reflects experience that subjectivity can truly escape the idealist and dialectical formalization against which Kierkegaard protests’.    

Thornhill usefully elaborates on how Jaspers’ theory of communication operates as a critique of the idealist process of reification. He stresses that Jaspers viewed true communication as motivated by a post-metaphysical quest to disclose truth. ‘The genesis of true communication, Jaspers asserts, occurs when we recognize that the transcendent source of human legitimacy (metaphysics) has been obscured, but nonetheless attempt to disclose a distinct realm of essentially human truthfulness.’ Humans, he suggests, ‘become truthful through the spoken disclosure of a relation to their ideas, not through the prior formalization of this relation’. Speech is theorized as (enabling) a type of cognition which can resist reification, without becoming submerged within experience. Anticipating Habermas, as Thornhill notes, Jaspers’ thinking ‘implies that speech is a mode of agency in which human reflection places itself in relation to underlying ideas, but does not formalize these as unitary components of its own original structure’. Speech therefore, for Jaspers, (Thornhill writes) is ‘an eternally unfinished event (not a prior or ideal unity) in which humans relate most truthfully to their own practical and epistemological determinants (ideas)’. In (true) speech, ‘a cognitive process occurs in which thinking is not formally separated from praxis or experience, but in which thinking still maintains a specific inner coherence and identity against pure experience and action’. Speech for Jaspers, Thornhill summarizes, ‘transposes the foundation of idealism into an ongoing experienced process: in speech, the human relation to truth (ideas) is not realized before, but through experience’.

For Jaspers the (post-)idealist development of a human relation to truth is bound up with our freeing from objective certainty. He suggests, as Thornhill puts it, that ‘The more I decide  to act in accordance with the unconditioned logic of my existence (ideas)’, ‘the more I disengage myself from any objective a priori certainty about what it means to exist, or about the final truth of my existence’. This emphasis within his thinking on our freeing from objective certainty, is a central reason why the theory of existential communication represents, as Thornhill notes, perhaps ‘the most important philosophical innovation instituted by Jaspers’, and also ‘the crucial dimension in his transcendental anthropology’. For Jaspers, Thornhill writes, the ‘progress from worldly orientation towards reflexive transcendence’ is a process in which the subject’s relation ‘towards its own objective positions, ideas and convictions, and therefore also towards its fellow human beings, detaches itself increasingly from any realized or nameable structure’. This coupling of the ongoing process of reflexive transcendence with a freeing from objectivity or formalization, Thornhill sees, is closely related to Jaspers’ theorization of unfinished interpersonal communication:

‘My truth, Jaspers claims, is a manner of being-towards-myself in which I consider myself as a quality which is neither formal, nor purposive, nor objective. The realization of this truth, however, has its only objective outcome in a manner of being-towards-others: only in an uncertain, relative and communicative disposition towards others can I begin to explain my own unstable experience of myself as possible transcendence.’   

Thornhill repeatedly returns to the connection which Jaspers’ thinking traces between truth and uncertain communication. ‘Human beings begin to speak truthfully to each other, he implies, when they reflect upon those components to their experience which cannot be objectively explained or categorized, and where their cognitive/experiential forms are radically questioned and altered.’ Or again: ‘The precondition of truthful existence, he explains, is a recognition of uncertainty, and this uncertainty is given exemplary form in speech.’ Jaspers’ communication theory thus suggests a privileging of dysfluency, given that – as Thornhill continues – ‘speech enacts this uncertainty and implies its possible resolution’. It is as if the fraught lived experience of dysfluency, or any other form of ‘failing’ communication, itself points towards a fluency, or harmonious speech, which marks transcendence. He quotes here from Jaspers’ Reason and Existenz : ‘The imperfection of communication and the weight of its failing become the openness of a profundity, which nothing can fulfil but transcendence.’

Crucially, Thornhill underlines how Jaspers’ concern with the sort of true, harmonious communication which signals or presages transcendence, separates his theory of communication from both Habermas’ theory of speech-acts and Heidegger’s concept of everyday language. For Jaspers true communication – Thornhill writes – is a ‘particular quality and integrity of the spoken word’, and is therefore ‘not possible in the common contexts of practical life, but only in momentary dialogues, in which interlocutors set themselves decisively beyond their everyday objective forms’. Again citing Reason and Existenz, Thornhill notes Jaspers’ statements that true communication ‘is manifest in the “elevated moments of apparent complete harmony”, which anticipate a “perfect truth and timeless oneness”’. ‘Communication is thus, in its metaphysically valid form,’ Thornhill concludes, ‘a privileged existential harmony between certain people: it is not a uniform means for the interpretive coordination of action’.

Thornhill seeks to explain Jaspers’ work as ‘a seminal position in the development of the transcendental, communicative line of philosophical anthropology, which is directly opposed to the anthropological and political positions which have emerged from Heidegger’s philosophy’. Jaspers’ writings, Thornhill sees, hold a ‘communicative vision of existential totality’ – a totality articulated in phrases such as ‘perfect truth and timeless oneness’. For Jaspers, Thornhill stresses, the ‘attainment of such transcendence’ or transcendental unity is ‘an essentially communicative process, in which free interaction in linguistic or cultural discourse illuminates the limits of objective and categorial fixity’. Speech ‘is always a hermeneutic of possible transcendence, and possible transcendence always requires speech’, precisely because, in its ‘relative, uncertain and interpretively open’ character, human communication is both ‘a reflection of the impossibility of truth’ and, as ‘an ongoing attempt to articulate truthfulness’, is ‘the only practically possible expression of transcendence’.

Jaspers’ theory of communication, Thornhill emphasizes, is thus integral to his attempt to recuperate the metaphysical as a concrete moment in human life. It is in speech, Jaspers indicates, that (in Thornhill’s words) ‘concrete human existence experiences itself practically as a possibility for radical otherness to its worldly and cognitive forms’, and ‘reflects itself theoretically or metaphysically on that basis’. Jaspers’ communication theory refuses Kant’s ‘formal limiting of human existence against metaphysics’, and what Thornhill calls Jaspers’ ‘metaphysic of communication’ positions itself as ‘an alternative to the limiting of metaphysical contents through the regulative or “legislatory” functions of transcendental reason’. On account of Jaspers’ attempt to ‘radicalize the metaphysical content of idealism’, as Thornhill puts it, and to ‘replace transcendental idealism with an experiential, and thus communicative idealism, in which formal antinomies of reason figure as the vital antinomies of experience’, speech for Jaspers ‘articulates an unrealized metaphysical/anthropological perspective against the realized juridical unity in which metaphysical contents are resolved by Kant’. Thornhill argues that Jaspers’ notion of communication as an ‘experimental corrective to idealism’, represents ‘a crucial innovation in the development of models of intersubjectivity, speech-hermeneutics and the theory of consciousness’. He also proposes that Jaspers’ attempt to ‘think beyond the antinomies of idealism’ by converting transcendental idealism into an experiential/communicative idealism, ‘for which the unity of consciousness is never resolved’, can be identified as ‘an attempt to avoid the (allegedly) false overcoming of idealism in Heideggerian ontology’.

As Thornhill notes, ‘The only path beyond the reification of life and reason in formal idealism is, Jaspers indicates, to retrace the steps which originally led to idealism: thus to reinterpret the metaphysical legacy itself.’ Yet Jaspers, Thornhill writes, clearly ‘stands out as a significant early thinker in the tradition of post-metaphysical, post-idealist intersubjectivism’, because his ‘hermeneutical turn’ replaces the formal cognitive structures of idealism with ‘an interpretive-existential concept of truth, which sees truth as the interpretive and communicative expansion of consciousness, not its formal limitation’. Jaspers’ argument that (in Thornhill’s words) ‘the human only begins with the end of idealist reification’, means that humanity ‘can only begin to interpret itself where the form of Kantianism is allowed to unfold as a narration of substantial human becoming, not as a reified set of intelligible relations’. Yet for Jaspers, as Thornhill emphasizes, the communicative freedom or communicative transcendence which represent such personal becoming, can never be realized:

‘The communicative foundation of Jaspers’ […] theories of freedom and transcendence is based precisely on the fact that he does not believe in absolutely valid individual self-transcendence. It is precisely the fact that the particular can never be proclaimed as the universal, that praxis can never be ideal, which grounds Jaspers’ theory of communicative transcendence.’

Jaspers’ hermeneutic-existential Kantianism holds that, as Thornhill puts it, ‘the antinomy of particular experience and total unity of knowledge cannot be genuinely overcome through any manner of personal experience’: it is ‘only in the existential interpretation of its antinomical limitedness that individual life has any access to the terms of its own transcendence’. Providing an example of such existential interpretation, Thornhill refers to the ‘communicative experiences of freedom’, which offset ‘the given order of human form and function’ by enabling humanity to become – in the early terms of Psychology of World Views – ‘a life in suspension [Schwebe]’, and to detach itself from what Thornhill calls ‘the modes of [reified] inner compulsion which form its life’. Yet such communicative freedom ‘is never realized. The dissolution of objective form occurs only in the relativity of communication, and such communication is principally defined by the fact that it is always incomplete.’

To be continued...incomplete...

The Spiritual Condition of the Age, part 2

In The Spiritual Condition of the Age, Jaspers maintained that ‘the problem of the mode of remembrance is the problem of such culture as still remains possible’. Rather than processing historical knowledge into discrete units of cognition which can then be bureaucratically distributed and assessed throughout the education system by means of ‘learning outcomes’ and ‘attainment’ league tables, as now, we could instead – Jaspers suggested – enable historical knowledge to become implicated with the self’s experience. This could rejuvenate culture, because we would have re-established a relationship between a person’s memory of culture and her own spiritual life – ‘a sincere historicity is a readiness to discover the sources which feed all life and therefore the life of the present as well’.

‘For remembrance as a mere knowledge of the past is nothing more than a collection of an infinite number of antiquarian details; remembrance as mere contemplation instinct with understanding realizes the pictures and the figures of the past only as a non-committal confrontation. It is not until remembrance takes the form of assimilation that there comes into being the reality of the selfhood of a contemporary human being in the form of veneration; subsequently as a standard for his own feeling and activity; and finally as participation in his own eternal being.’

The Spiritual Condition of the Age posits an awareness of temporal or historical continuity to be a mainstay of the formation of self-existence. For example, Jaspers sees that work can potentially consolidate selfhood, but ‘when the day’s work grew sufficient to itself and ceased to be built up into a constituent of the worker’s life – then man was, as it were, bereft of his world’. If the worker is ‘lacking all sense of historical continuity with past or future, man cannot remain man’. Jaspers opposes selfhood to the self which simply preserves itself: ‘if he craves for self-expression, there promptly arises a tension between his self-preservative impulse, on the one hand, and his real selfhood’. Tensions also arise with ‘the winners in the race’, who tend to ‘have qualities which disincline them to allow others to be their true selves’. Jaspers explains the familiar syndrome of the successful father and the failed son:  

‘Hence the winners tend to snub all those who aim at adequate self-expression, speaking of them as pretentious, eccentric, biased, unpractical, and measuring their achievements by insincere absolute standards; they are personally suspect, they are stigmatized as provocative, as disturbers of the peace […] Because he only “arrives” who has sacrificed his selfhood, the arrivist will not tolerate self-expression in subordinates.’  

In ‘Britain’s Liberal Riots’, Blond describes our contemporary society in which winners and losers alike have been brought to sacrifice their selfhood, and to be ruled by the instinct of self-preservation or self-interest alone. He notes that ‘the rule for the last thirty years is that one rules the many by persuading them that the values of the self-interested few ought to be their principles as well’. As a consequence of the UK’s general ‘moral and social collapse’ since Thatcher, the rioters were ‘merely acting out the values that now seem to govern and embody Britain – ruthless self-interest coupled to a rootless consumer nihilism’. Jaspers already saw how the totalizing of the principle of self-interest reveals self-interest to be not a real principle at all, but instead a valueless black hole which only creates rootlessness as it eats away at our sense of communal self-existence.

‘The crisis realizes itself as a lack of confidence. If people still cling to the coercion of the law, if they are still convinced by power, and by the rigidity of convention, it is only because of a calculus of material advantages, and not from any real confidence. When all has been reduced to the purposiveness of life-interests, the consciousness of the substantiality of the whole has been destroyed.’

Now that even career cliques based on competitive socializing, such as our dehumanizing humanities academia, are apparent to be no more than a source of income and status, we can see the relevance of Jaspers' argument that social confidence remains – can only be nurtured – within the sphere of personal ties or intersubjective communication.  ‘Every well-informed person is acquainted with the deceptions, the deviations, the untrustworthiness that prevail in his own familiar domain. Where confidence persists, it is only within very narrow circles, for it never extends to the totality.’ Quite probably, the more feral the operations of the professional club, the more emphasis is laid on what can be gained from interpersonal intimacy: so that this dialectic of communication (public suspicion/ private confidence), can be a harmful trap just as much as a life-enhancing opening.

Jaspers observes how we begin to view, and hence experience, social relations and interpersonal communication as a harmful trap when the principle of self-interest dominates. ‘It is, indeed, the tendency of the life-order to become absolute which arouses an uncontrollable dread of life.’ Because the self-preservative impulse is twinned with fear of self-destruction, the mental illness of anxiety is integral to modern society. ‘In the rationalization and universalization of the life-order there has grown contemporaneously with its fantastic success an awareness of imminent ruin tantamount to a dread of the approaching end of all that makes life worth living.’ With great insight, Jaspers notes the effects on the self’s communicative capacity of being ‘alarmed at the likelihood that he will in the near future become unable to obtain the vital necessaries’. Social exclusion becomes vulnerability’s self-fulfilling prophecy:

‘The sufferer from anxiety has confidence in no one; he will not enter into absolute ties with any other person. One who fails to participate in what others are doing is left alone. The threat of being sacrificed arouses the sense of having been utterly forsaken, and this drives the sufferer out of his frivolous ephemeralness into cynical hardness and then into anxiety. In general, life seems full of dread.’

Many many people, including myself, have lived like this, and it is possible to endure particularly if a person can come to terms with what Jaspers calls ‘a very different dread, namely that concerning his selfhood’, and the threat of losing it. Jaspers observes that psychiatry can never deal effectively with mental illness so long as it functions within an economy which threatens us all with social sacrifice. But psychiatry could genuinely help people, he argues, if it were to attend to the heady, spiritual formation of self-existence, in the face of the totalization of the principle of self-interest:

‘Doctors try and talk the sick or those who believe themselves sick out of the fear of death. But these institutions function effectively only when things are going well with the individual. The life-order cannot dispel the dread which is part of every individual’s lot. This anxiety can only be controlled by the more exalted dread felt by existence threatened with the loss of its selfhood, which induces an overriding religious or philosophical exaltation. When existence is paralysed, the dread of life cannot fail to grow. The all-embracing dominion of the life-order would destroy man as existence without ever being able to free him from the dread of life.’

Jaspers writes of how at crisis-points of the battle of life, mental illness can trigger physical sickness:

‘If a man comes to look upon his life as spiritually unacceptable, as intolerable were it merely because he can no longer understand its significance, he takes flight into illness, which envelops him like a visible protector. For in those limitary situations which (as mere life-experiences) crush him inwardly, man needs, either the selfhood of freedom, or else some objective point of support.’

The totalizing functionalism of the life-order, Jaspers argues, is threatened by its own limits as well as by ‘the selfhood of freedom’: ‘The unavoidability of the life-order finds its limit in the human being who refuses to be wholly absorbed into a function; and further in this, that no unique and perfected and definitive life-order is possible.’ Indeed, free refusal of technicizing objectivity by the vulnerable is enabled by the crisis-points – the ‘lacunæ’ – of technique itself. For example: when the labour market makes you unemployed, or when a university lecturer fails to arrange the placement that could help you back into work.

‘It is true that most us of us dread the freedom of selfhood. Still, it is possible that in the interconnexions of the titanic apparatus there are so many lacunæ that, for those who dare, it may remain possible, in some unexpected way, for them to realize their historicity out of their own sources. […] Pulling himself together on the border-line of destruction, the independent human being may arise, one who will take matters into his own hands and will enjoy true being.’

Seeing that ‘the basic problem of our time is whether an independent human being in his self-comprehended destiny is still possible’, Jaspers asserts that addressing the problem of contemporary freedom is a matter of the responsible self-development of personal existence: ‘this is a problem which, as clearly formulated and understood, tends to annul itself; for only he who is capable of being free can sincerely and comprehendingly moot the problem of freedom’. Hope for the possibility of a selfhood of freedom, Jaspers maintains, is dependent on an existentialist thinking which takes the risk of claiming freedom in itself, rather than arrogantly and presumptuously assuming that subjective freedom already exists, and is merely a means of planning objective freedom.

‘In objectifying thought, on the other hand, whereby the liberty of man is treated as an extant form of life and wherein the only question that arises is under what conditions liberty can be realized, it becomes conceivable that the whole history of mankind is a vain endeavour to be free.’ 

Anticipating contemporary academics’ focus on aspects of bureaucratic planning such as course designing, and their downplaying of sustained autonomous research in favour of cosy specialization, conference surfing and jumping on bandwagons, The Spiritual Condition of the Age comments on the degeneration of the university to its present state of being ‘no more than a school’. ‘An enforced curriculum relieves the individual from the risks attendant upon seeking a path for himself. But without the hazards of liberty, there can be no possibility of independent thought.’

Jaspers enables us to see that participation in the ‘hazards of liberty’ is an appropriate response to the flux of rootlessness, or to our condition of being ‘uprooted’ within the ‘historically determined and changing situation’ of modern secularism,  which – according to Blond’s analysis of last year’s rioting – we still inhabit. The development of a selfhood of freedom, for example through the practice of ‘independent thought’, is today no more than a ‘possibility’ precisely because now, as Jaspers writes, ‘existence is a mere possibility, not something possessed and guaranteed. All objectivity has become ambiguous: the true seems irrevocably lost; substance, perplexity: reality, a masquerade.’ The limit-point crises signified by mental illness, for example, are read by Jaspers as products and markers of our perplexifying modern existential state, which are also openings to the development of a selfhood of freedom:

‘He who wishes to find his way to the origin of the crisis must pass through the lost domain of truth, in order to revise it possessively; must traverse the domain of perplexity to reach decision concerning himself; must strip off the trappings of the masquerade, in order to disclose the genuine that lies beneath.’  

Jaspers suggests that risky intellectual work, precisely in its perilousness, is suited to developing its own freedom through the traversal of our critical spiritual condition; whereas ‘a new world cannot arise out of the crisis through the work of the rational life-order as such’.

‘What is needful is that the human being shall achieve something more than he brings to pass in the life-order, shall achieve it by way of the State as expressive of the will towards the whole, by the State to which the life-order has become nothing but a means – and also through mental creation, whereby he grows aware of his own being. Along both these roads he can regain consciousness of the origin and the aim of human existence in the nobility of free self-creation, cognizance of which has been lost in the life-order.’

Hence in this book Jaspers presents existentialism as a free and communicative thinking which exceeds the specialist cognition of the academic pseudo-community.

‘In fact, from the opening of the second half of the nineteenth century the traditional philosophy became everywhere an enterprise carried on by university schools which more and more seldom were communities of philosophic persons drawing from their own sources and communicating in the form of thought what had welled up in their own consciousness.’

Technical cognition of fragments of objectivity is to be exceeded by the visionary definition of self-existence, Jaspers argues, because only such meta-academic intellectual activity can hold the possibility of redeeming – or creating ‘a new world’ out of – the flux of rootlessness. We have already seen how, in Jaspers’ view, academic Marxism by contrast degrades the modern ‘dialectic of the extant being and consciousness’ by attaching being fixedly to its own simplistic historical analytic; when in fact the dialectic of modern secularism – like any historical dialectic – ‘cannot be properly understood on a purely intellectual plane, but can only be adequately grasped in the momentous fulfillment of that within us which, through its claim to selfhood, provides the spirit with its capacity for greatness’.       

‘Existence-philosophy is the way of thought by means of which man seeks to become himself; it makes use of expert knowledge while at the same time going beyond it. This way of thought does not cognize objects, but elucidates and makes actual the being of the thinker. Brought into a state of suspense by having transcended the cognitions of the world (as the adoption of a philosophical attitude towards the world) that fixate being, it appeals to its own freedom (as the elucidation of existence) and gains space for its own unconditioned activity through conjuring up Transcendence (as metaphysics).’

You could argue that, for Jaspers, the only way to think beyond modern rootlessness is by defining its flux. The communicative strand of Jaspers’ existentialism means that for him the dialectic of being and consciousness can only be adequately grasped – or defined in a sort of vision which draws on our originary transcendental impulses – through a dialectic of consciousness and consciousness. ‘This existence-philosophy cannot be rounded off in any particular work, nor can it acquire definitive perfectionment as the life of any particular thinker.’ For Jaspers ‘the study of the innermost springs of behaviour […] belongs to the domain of true communication’. Intersubjective communication enables existentialist thinking as a dialogue between originary transcendental capacities: such thinking cannot in itself redeem or bridge the dialectic of being and consciousness, but it can at least enable us to ‘regain consciousness of the origin and the aim of human existence’ – and so it holds the possibility of redeeming, or creating ‘a new world’ out of, the flux of rootlessness. ‘Existence-philosophy cannot discover any solution, but can only become real in the multiplicity of thought proceeding from extant origins in the communication from one to another.’ What the existentialist philosopher is really creating, in Jaspers’ view, is our various singular claims to transcendence, and a dialogue between them. ‘Not merged in the enterprise of the coming and going idols of the life-order, he works as self-existence on behalf of self-existence; for he creates life as a demand through influencing others out of their own sources.’ The flux of rootlessness can only be defined visionarily precisely through such a fulfilment of our originary transcendental impulses, through ‘influencing others out of their own sources’, or the dialectic of being and consciousness ‘adequately grasped in the momentous fulfillment of that within us which, through its claim to selfhood, provides the spirit with its capacity for greatness’.  

the flux of rootlessness is Bleak House in 2011, solitary spectator-consumers look on as the city spontaneously combusts in shame